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The paper reads Westworld’s plots and characters from three different approaches that are deeply interconnected. Finally, we argue that the text's complex narrative devices become allegorical for the viewer him-or herself as a lost figure in search of answers, allowing a meta-analysis of key themes of the show. Using this framework, we then focus on a textual analysis of four key characters in the series, and how each negotiates journeys through these conceptual/spatial zones that delineate some 'encounter with the Real'. To explain this, we firstly provide an introduction to the contextual origins of the three psychoanalytic orders (or triad) developed in Lacan's writings, particularly looking at Seminar II of 1954-1955. #Digital sentience definition free#Then, we see the actual human figures of the show in hot pursuit of violent sexual desires, thoughtlessly enacting free plays of desire without consequence and the conscientious interruption of the superego or the 'Law'. Westworld's robotic characters are gripped by the complexity of their memories: memories pre-programmed, easily adjusted and changed by the scientists running the park. At the heart of the show lies a double irony about the human and non-human characters in the show. These are themes signposted by the quite literal depictions of therapy sessions shown throughout the season. In an examination of Season One of the series, we argue that this new show – given its focus on psychological landscapes and trauma – requires a deeper textual analysis to uncover similar Lacanian themes. #Digital sentience definition series#This article argues that it is productive to examine the series through a psychoanalytic lens, especially through Jacques Lacan's concept of the Real. This article explores the themes of psychoanalysis and Lacanian theory discernible in the HBO version of Westworld (HBO 2016-). This article further shows how the series’ meta- and intertextual approach implicitly comments on the extrinsic norms of problematic representational strategies and gratuitous nudity, sex, and violence within contemporary ‘Quality TV’ and particularly HBO’s hallmark series. In doing so, Westworld constructs complex parallels between the levels of content and form, one commenting on the other, and negotiates questions about femininity, intersectionality, and the performativity of gender by placing at its center two complex, ‘difficult’ female characters and their flawed, ambiguous struggle for agency and autonomy. In the tradition and evolution of television series which Jason Mittell deemed ‘Complex TV’ a decade ago, it is a highly self-reflexive, metatextual genre hybrid which confidently employs various strategies to confuse its viewers. #Digital sentience definition plus#Sentience is a minimalistic way of defining consciousness, which otherwise commonly and collectively describes sentience plus other characteristics of the mind.Westworld is a preeminent example of Peak TV: it has fully embraced the current context of production and reception and constructs its narrative with that in mind. In modern Western philosophy, sentience is the ability to experience sensations (known in philosophy of mind as “qualia”) Eighteenth-century philosophers used the concept to distinguish the ability to think (reason) from the ability to feel (sentience). Sentience is the capacity to feel, perceive, or experience subjectively. on – theories – of – sentience -a- talk – with-magnus-vinding Not only pain and pleasure but, for instance, to perceive. I’ll use the word sentience for experiences of suffering and enjoyment, and consciousness for subjective experiences in general. Manu Herrán : Let’s start with the very beginning. Within experimentation I include the ability to feel pleasure and pain, but I also include having a point of view, being someone, perceiving, having “ consciousness “. Subjectivity (or Consciousness ) is the ability to experiment. There is no doubt that sentience has moral relevance. ![]() Sentience is the ability to have pleasurable or painful sensations, which implies having preferences and interests ( avoiding pain, seeking pleasure ). That is why we say that sentience focuses on what is morally relevant. » We use a definition of “sentience” that refers to subjective experiences that can be positive or negative, such as pleasure and pain, or enjoyment and suffering, and we leave out of the definition those experiences that are indifferent. ![]() “ Consciousness is exciting intellectually, but sentience is what is morally relevant.” » Sentience is a relatively new (polysemic) word that is commonly used to refer to the ability to experience pleasure and / or pain. Sentience implies the capacity for positive or negative experiences, such as pleasure and pain, suffering and enjoyment. » Sentience is a concept very close to the idea of consciousness, but sentience is, in our opinion, focused on what is more morally relevant. ![]()
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